Film analysis essay, Film analysis essay

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Narrative structure analysis. This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well. Film analysis essay

Tell Me Everything About It: How to Write a Film Analysis Essay Correctly

Writing a film analysis essay should be fun, right? You have a chance to watch a movie and then to write your impressions. Seems easy-peasy!

But, after watching a movie, you find yourself in front of a blank sheet of paper, without knowing where to start, how to organise your essay and what are the essential points you need to cover and analyse.

Knowing how to organise your film analysis essay is half the battle. Therefore, just follow this structure and you’ll be able to start writing without a hitch right away.

1.Introduction

The introductory part of a film analysis essay contains some fundamental information about the movie, like the film title, release date, and director’s name. In other words, the reader should get familiar with some background information about the film. It would be good to research the filmmaker because it can reveal significant insights related to the movie which you can use in your analysis.

Also, you should point out the central theme or ideas in the movie, explaining the reason why it was made. Don’t hesitate to say what do you think; it’s quite desirable to express your point of view.

The last thing your introduction should include is your thesis statement and basically, explain what will be your focus.

2.Summary

After presenting the main facts about the film, it’s time to go deeper into analysis and summarise it.

The trick to making it more powerful is always to assume that your professor hasn’t seen the movie. In that way, you won’t leave out some important information. The best way to make sure you’ve covered everything in your summary is to answer great five Ws – who, what, when, where, why, and how, as well.

Likewise, you can discuss anything related to your opinion, structure or style. Just remember that you need to support anything you say with examples or quotes from the film itself. Otherwise, it wouldn’t be a viable comment.

3.Analysis

This is the core of your essay that involves your critical analysis of the film and impressions about it but supported by claims from the movie or any other relevant material.

Also, films are complex artwork that include many creative elements which are all connected and have their reason of existence. That’s why you should pay attention closely to these elements and analyze them too.

A good script has a logical sequence of events, completion of scenes, characters development, and dialogs. So, these are the elements you should analyze when it comes to the scenario.

After watching the film, try to reproduce the plot mentally and see if you understood the logic of events and the motives of the actors. If it’s difficult to explain or find reasons for some scene, then it isn’t such a great scenario.

The director is responsible for every aspect of the movie process, such as scenario execution, selection of the plans, and essay buy online even tasks for actors.

In this part of the analysis, you can focus on the fact how the director realized the script or compare this film to his other films. It will help you understand better his way of directing and come up to some conclusions relevant to your thesis and analysis.

Casting is another significant element to take into consideration in your film analysis essay. Actors bring the script and director’s idea into reality.

Therefore, after watching the movie, think if the actors are realistic and if they portray the role of their character effectively? More importantly, consider how their acting corresponds to the main idea of the film and your thesis statement.

This represents an important element of every movie. It sets the mood and enhances some actions or sceneries of the film.

That’s why you should try to evaluate how music reflects the mood of the film or the impact it has on what is happening on the screen. Is it supportive or distracting?

Visual elements, like special effects, costumes, and make-up, also have a considerable role in the overall movie impact. They need to reflect the atmosphere of the film. It is especially important for historical movies because visual elements need to evoke a specific era.

Therefore, pay attention to costumes and special effects and analyse their impact on the film.

However, make sure you analyse only the elements that are related to your thesis statement, that can support it or help you make your point. Otherwise, you risk drifting away from the main argument.

4.Conclusion

In the end, re-state your thesis and offer a summary of the previously mentioned concepts in a new and more decisive way, making a case for your analysis.

Besides, you can recommend to your reader to watch this film or to avoid it completely.

Final words

Writing essays about films should be exciting and easy activity. Just follow these guidelines on how to structure it, details you need to pay attention to, and what should be the essence of your essay, so you’ll definitely look forward to writing your next film analysis essay and enjoy in the whole process.

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Film analysis essay

1. Cite the title of the movie.

2. Provide background information and formulate the thesis in the introductory paragraph.

3. Indicate the main ideas presented in the film. Each of these main ideas should be framed into a topic sentence and developed through the use of specific details.

4. Use direct quotation of key words and phrases.

5. Use tags ("according to" or "as explained in the movie") to remind the reader that you are summarizing the view presented rather than your own.

6. Avoid summarizing plot.

7. Report the main ideas as objectively as possible. Do not include your own reactions and responses.

Film Analysis

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.

Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?

Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically. For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema.

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement. Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.

In most cases, the director’s name is used to talk about the film as a whole, for instance, "Alfred Hitchcock’s Vertigo." However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.

When describing a sequence in a film, use the literary present. An example could be, "In Vertigo, Hitchcock employs techniques of observation to dramatize the act of detection."

Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).

Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo, but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on "using evidence" in our evidence handout.

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

What objects or images are repeated throughout the film?

How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?

How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question "So what?" in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?

What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?

Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?

How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?

How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo, a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

What effects are created in a scene, and what is their purpose?

How does this scene represent the theme of the movie?

How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial. We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films. Paris: Nathan.

Media & Design Center. n.d. "Film and Cinema Research." UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch.

Oxford Royale Academy. n.d. "7 Ways to Watch Film." Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Film analysis essay, Film analysis essay